This watercolour was a real pain to create. The Mulberry paper is mainly used for printing techniques like etching, and doesn’t like India ink and watercolour. When applying watercolour the water is sucked right out of the brush, and the rough surface resists a nice even brushstroke. But I wanted to approach ancient, and predominantly non-Western techniques, like the tree-bark paintings that originates in some South-Sea areas.
Although the painting refers to South-Sea visual- and narrative motives, it also contains references to African (Chi Wara) antilope masks, DNA strings, architectural remnants of past cultures and ancient Northern European runes. It’s a memory chart of cultural history, a theme that I have started to explore again recently.