See also: owlfie.wordpress.com for more to come…
Quite an enigmatic title. But it refers to the fact that I loaded a photo I posted some months ago into Adobe Color CC, and extracted a nice color theme from it. I let the software run by itself without steering it at all. The result is quite nice.
And for the sake of completeness, the original photograph.
Inspired by Italian villages and the sea that surrounded me in August, I spent as much time as I could with my little Hahnemühle travel sketch book and a technical pencil. Re-inventing my impressions.
Addition (19 september 2016)
Just for fun I uploaded this drawing into Adobe Color CC to see which color theme this web application would automatically distill from the limited palette. I called it – quite originally – “Graphite Pencil”. I like it, the software has chosen a balanced distribution of greys.
I was somehow struck by the location, the colours, the strong horizontals, and the abandoned functionalism of the place. Aquasanta Terme (Le Marche, Italy) is an old town with a thermal spa situated in a deep valley. Sulfuric sources stream through the station and end up in the river that meanders through the canyon. The swimming pool is at the higher end of the town, and is accompanied by a slightly dystopian parking area.
Although the thermal spa is still in use, it has abandoned area’s too. Squeezed against the rock, this old building.
This watercolour was a real pain to create. The Mulberry paper is mainly used for printing techniques like etching, and doesn’t like India ink and watercolour. When applying watercolour the water is sucked right out of the brush, and the rough surface resists a nice even brushstroke. But I wanted to approach ancient, and predominantly non-Western techniques, like the tree-bark paintings that originates in some South-Sea areas.
Although the painting refers to South-Sea visual- and narrative motives, it also contains references to African (Chi Wara) antilope masks, DNA strings, architectural remnants of past cultures and ancient Northern European runes. It’s a memory chart of cultural history, a theme that I have started to explore again recently.