Tip: have a look at Fishink blog

Sometimes others do what you would like to do. And they do it so well that, in stead of trying to compete with them, it’s better to give them the credits and point people to their work. There is this blogger, Craig, who has created the “Fishink” blog, which is packed with nice stories about artists; illustrators in particular. There is the odd piece of ceramics now and them, or a peek in a gallery, or art fair, but mostly it is about visual artists.

His articles are concise, and well written. They contain the information you need, without being bloated, or pedantic. His posts are packed with images. Often he refers to a publisher, like in his recent article about Edward Bawden, where he refers to the precious Mainstone Press.

For me Craig’s blog is a regular source of inspiration, and his extensive list of links to artists and online resources is a real treasure trove. It must take a lot of time and research to build such a great collection of stories, and references. So, if you love art, especially the art of illustration, don’t hesitate, but go over to Fishink and enjoy.

Craig’s charming work at www.fishink.co.uk (reproduced with permission)

And yes, before I forget. Craig is an illustrator/designer too. I really like his funny colourful quirky style. If you’re interested, see for yourself.

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Petite Maison Bourgeoise

maison-01-txt-25pr
“Constructions Françaises. Petite Maison Bourgeoise”. Redrawn by Eelco Bruinsma. © 2018.

A while ago I posted some images from a portfolio of French architectural drawings that I bought at an auction. Today I post the first of a series of re-illustrations based on these drawings. I re-imagined them, well, actually I am still working on the series, to be able to create a flexible series of art prints that can be reproduced digitally on high quality art paper with archival inks. Working on every detail of these images, which are lithographs, makes me appreciate the tremenous skills of the reproduction artists that created them.

Stone lithography in the 19th and early 20th century was as important to all kinds of commercial imagery as DTP and digital design is now. I once wrote a small book on the collection of sigar-box labels that were printed in the south of the Netherlands during the first half of the 20th century. There was a plethora of designs to choose from. Only a few survived as commercial brands. Lithography was the preferred medium. The artisans were creating subtle images and wonderful colours by putting tiny little dots on the lithographic stones rom the Sollnhofer quarries – by hand. They were real virtuoso’s.

These French architectural images were part of a large portfolio of housing types. From small labourer’s cottages to stately city mansions for affluent people, from hunting lodge to architect’s practice, everything was pre-imagined. Driving throug semi-rural and semi-urban areas of France, one can still encounter many of these charming buildings.

The art-print is available in Moonfrog Studio’s Etsy shop. It will be printed on high-quality paper, sent in a tube, and is available in 3 sizes:

  • 30 x 30 cm / 11,81 x 11,81 inch
  • 50 x 50 cm / 19,68 x 19,68 inch
  • 60 x 60 cm / 23,62 x 23,62 inch.

Hommerage to J.A.A.J. of Dublin

Gouache drawing of colourful shapes and fragmented people by Eelco Bruinsma
“Hommerage to J.A.A.J. of Dublin, stream of consciousness” (© Eelco Bruinsma 2018 – gouache on 250 gsm watercolour paper)

Hommerage to J.A.A.J. of Dublin

Liechtenstein and Wittgenstein
Were all but umbered and saffroned
By mere kandleknights of everwhites
For all the wondrous globulisers to ignore.

And evangelically synecdochistic and stochasmic
Appeared a chance to disappear and dissipate
In multiple monoperplexing spectrometrics
Within two miles from Ramesses’ nihilistic Nilometer.

’t Was with great funferall that
A bottle of Craux Magnon
From the cellars of Faux Mignonne
Was decorkitated and capitulised.

With circumspect glossaries of
Dossaries and red-nosed rosaries
While the words of the good man
Were dissecticised with circumflex
Instrumechanics of hardened zinnober
While reciting spoonfuls of Amens.

(Eelco Bruinsma 2018)

My spell checker didn’t like this poem at all. I had to push cmd-z many times to roll back the autocorrected suggestions while typing the handwritten version. It is obviously a hommage to one of the greatest writers of the 20th century, James (Augustine Aloysius) Joyce (1882-1942). I started reading his works when still at school, ages ago, and never stopped.

Of course there have been many people that tried to imitate his layered language, some attempts are better than others. I do not pretend to compete with either of them. Finnegans Wake is one of the most musical works of literature that I know. When you hear the rare recordings of James Joyce reading a passage from the book, you will instantly know why.

This work is written to be read aloud. Try it with this poem too, with a rolling old-fashioned ‘r’. There is one word in the poem, which is directly cited from Finnegans Wake, perhaps one of the most central concepts in the work. Joyce adepts will immediately spot it, do you?

Still, looking at it, I am quite pleased with a few neologisms.

The image preceded the poem. While I was making the drawing a parallel process started in my head, which eventually became the poem. The illustration is a 29,7 x 42 cm gouache.

Architecture is Music

Image of appartement building with all interiors visible.
“Architecture is Music”. Eelco Bruinsma 2018.

Often when I look at architecture and architectural drawings, I have an almost synesthetic perception of music. Not a real melody, but a sense of musical rhythm, somewhere deep inside me. Of course the structure of a piece of music is often referred to as its ‘architecture’, so the association between these two arts is not really uncommon. This inspired me to create this image of an apartment building with the facade removed. The visual elements in the interior, and the structural elements of the building are like a colourful musical notation with nested patterns, repetition, and silence.

The image is available as an art print in our Etsy shop.

It comes signed and numbered in a limited edition of 50, in sizes A3 (297 x 420 mm / 11,7 x 16,5 inch) and A2 (420 x 594 mm / 16,5 x 23,4 inch).

Veggie diner, a mid-century architectural caprice

Illustration in cartoon style of a modernist diner with vegetarian connotations.
“Atomic Age Veggie”. Eelco Bruinsma © 2018

Playing with some colour themes I created over the years, I drew this architectural folly with a mix of expressionist and atomic-age elements. And why not celebrate vegetarianism at the same time? At Moonfrog Studio we’re green.

If you like it, or if you want to have a stylish vegetarian statement on your wall, this one is for sale too in our recently opened Etsy shop. It comes in two sizes, 300 x 300 mm (11,81 x 11,81 inch), or 500 x 500 mm (19,68 x 19,68 inch). It comes on nice silk-finish paper in a tube with optional gift-wrapping and dedication, or message. All prints are numbered and hand-signed, because I will only print 50.

Happy Halloween

Happy Halloween. Gouache by Eelco Bruinsma, 2017. Halloween theme with text.
Happy Halloween. Gouache, Eelco Bruinsma, 2017

‘Automatic’ India ink drawing #2

I know that the term ‘automatic’ in conjunction with writing and drawing conjures up the Surrealists and psychoanalysis. I have always been interested in the process because I am a fan of the Surrealists and Dada. Many years ago a tried to write poetry in this fashion, but I lost most of the results. And, of course, I like all things ‘Automattic’, because WordPress blogs are what the web is all about.

Recently (see my previous post) I rediscovered the charm of automatic creation. Using a very basic graphic design tool: an ink pen that can only be used to draw lines along a ruler.  I exhibited the results in September 2016 during an art event. In fact, I created them on the evening before the opening, because most of my oil and acrylic paintings were not finished in time. People were charmed by the freshness and lack of finish of the drawings. Some of them I coloured with pencil (Faber-Castell Polychromos), and some I coloured with watercolour.

The inspiration for the drawings originates in Italy, and more specifically a journey from Le Marche to Lazio, and Umbria. The drawings are ‘inspired’ by the landscapes and villages, not literal copies, they are concatenations of shapes that popped up during these automatic drawing sessions. The pen, the unstoppable flow of ink, are the main protagonists of these drawings. These pens are created to draw straight lines of even thickness, they are totally unsuitable for fine drawing. But they are great to invent things as you go an to discover the things your mind throws at you.

My mental world is the world of pre-Socratic philosophy, myth, and eternal landscapes, which is also reflected in these drawings. Are they art?

Central corridor of ‘Voorheen de 5 Platanen’ with the 4 drawings.

 

The pen.

Automatic drawing #3

Automatic drawing #4, “Bagnoregio and Cività”.

Automatic drawing #5.

 

Impending Doom

The End is Nigh (cartoon)
The End is Nigh!

 

BewarenBewaren

Artificial dwelling mound #2 (terp)

Illustratie van terp bij hoog water - illustration of dwelling mound at high tide
Artificial dwelling mound #2 (terp). Watercolour on paper. © Eelco Bruinsma 2016-2017

This illustration, or rather impression, is created with black ink from Liquitex and watercolour on smooth all-purpose art paper (Paint-On by Clairefontaine, 250 gsm).

It was done fairly quickly and loosely to match the style of the educational website in which it appears. I always use Rembrandt watercolour paint by Royal Talens. Rembrandt watercolour has a wide range of vibrant, very high quality, and lightfast, colours. There are of course other very good brands, but I have decided to be chauvinistic, and loyally stick with this high-quality Dutch brand.

Liberté, Egalité, Fraternité

‘Liberté, egalité, fraternité.’ Still from our animation studio (Moonfrog Studio). Puppets Heleen, montage, me.
‘Liberté, egalité, fraternité.’ Still from our animation studio (Moonfrog Studio). Puppets Heleen, montage me.

Setup for a stop-motion animation.